NISHANE has the primary motivation from the customary shadow play which is otherwise called shadow puppetry, an antiquated type of narrating and diversion which utilizes level enunciated cut-out figures (shadow manikins) which are held between a wellspring of light and a clear screen or scrim. The cut-out states of the manikins now and again incorporate clear tone or different sorts of specifying. Different impacts can be accomplished by moving both the manikins and the light source. A gifted puppeteer can cause the figures to seem to walk, dance, battle, gesture and snicker. KARAGOZ (signifying “bruised eye” in Turkish) and HACIVAT (abbreviated in time from “Hacı Ivaz” signifying “Ivaz the Pilgrim”), ZENNE (the normal name of the for the most part delightful and coquettish ladies highlighting in different plays) are the lead characters of the conventional Turkish shadow play,